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Ebner, Wolfgang – Muffat, Georg: Complete Works

for Keyboard (Organ)

playing score

Edited by Rampe, Siegbert
Instrumentation: piano/harpisc./Org
Period: Baroque
Weight: 0.331 kg
Publisher: Bärenreiter
Item number: BA8419
Other reference: BA08419
ISMN: 9790006520626
Volume I of this projected two-volume practical Urtext edition is the first to unite all the keyboard works of Georg Muffat (1653-1704) and Wolfgang Ebner (1612-1665).
That the clavier music of a composer of Muffat's stature should remain unpublished, apart from three pieces, is a mystery of musical scholarship. Muffat was, after all, a precursor of Johann Sebastian Bach on a par with Buxtehude, Pachelbel and the Krieger brothers. This edition contains the previously unpublished works in Codex XIV 743 from the Minorite Abbey in Vienna , as well as the three harpsichord pieces from Apparatus Musico-Organisticus that have already appeared in print.
Ebner was an organist and then was chapel-master at St. Stephen's in Vienna at the same time as Johann Jacob Froberger . Later he became the teacher of the Habsburg Emperor Leopold I. A master of strict counterpoint, his music surpassed even Froberger's in virtuosity.
Volume I contains a critical report (German/English) and a detaile d preface (German/English) with sections on the source material, editorial method, performance practice and ornamentation as well as a discussion of each work.
- First publication of two outstanding 17th-century composers
- Detailed preface and critical report (German/English)
- Important addition to the harpsichord and organ repertoire
- Definitive Urtext edition
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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