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Händel, Georg Friedrich: Concerto

for Organ and Orchestra

vocal/choral score

Edited by Best, Terence / Gudger, William D.
Transcribed by Köhs, Andreas
Setting: Vocal
Instrumentation: Org/Mixed choir-SATB
Series: Bärenreiter Urtext
Period: Baroque
Grade: 3
Length: 11 pages
Weight: 0.062 kg
Publisher: Bärenreiter
Item number: BA8348-90
Other reference: BA08348-90
ISMN: 9790006530335
Unlike Handel's other organ concertos, HWV 292 is not a transcription of a work for a different solo instrument, but was conceived from the outset as part of the oratorio Athalia. Its fourth movement leads seamlessly into a Hallelujah chorus that was only later replaced by an Adagio ending for publication purposes. Thanks to the relative simplicity of the chorus, our volume makes a useful addition to the material already published for this concerto (BA 8344).
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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