Buxtehude, Dieterich: New Edition of the Complete Organ Works
Freely-Composed Organ Works
playing score
The Complete Buxtehude Organ Works in a five volume performing edition.
This truly reliable and comprehensive edition of Buxtehude&rsquo,s Organ works is based on the latest musicological research. Editionspublished previously were either incomplete, or editorial amendments were not identified as such.
Primarily a practical edition, these volumes reflect the state of the art in Buxtehude scholarship. Each volumeincludes a comprehensive preface (German/English)
Contents | ||
---|---|---|
1. | Canzona In G BuxWV 170 | |
2. | Canzona In G BuxWV 171 | |
3. | Canzona In G Minor BuxWV 173 | |
4. | Canzonetta In A Minor BuxWV 225 | |
5. | Canzonetta In G BuxWV 172 | |
6. | Fuga In B BuxWV 176 | |
7. | Fuga In G BuxWV 175 | |
8. | Praeludium In A BuxWV 151 | |
9. | Praeludium In A Minor BuxWV 152 | |
10. | Praeludium In A Minor BuxWV 153 | |
11. | Praeludium In A Minor BuxWV 158 | |
12. | Praeludium In B BuxWV 154 | |
13. | Praeludium In G Minor BuxWV 148 | |
14. | Praeludium In G Minor BuxWV 149 | |
15. | Praeludium In G Minor BuxWV 150 | |
16. | Praeludium In G Minor BuxWV 163 | |
17. | Toccata In G BuxWV 164 | |
18. | Toccata In G BuxWV 165 |
In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.
During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.
When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.
