Froberger, Johann Jacob: Froberger, New Edition of the Complete Works IV.1
complete edition
Today there is a growing awareness that his only peer in 17th-century keyboard music was Jan Pieterszoon Sweelinck.
The complete edition of Froberger's music is scheduled to encompass six bilingual volumes (German and English). Each volume contains a critical report and a detailed preface with sections on the scope and subdivision of the edition, the editorial method, performance practice (including a discussion of contemporary instruments and ornamentation) and biographical notes.
Volume 5 will contain a complete catalogue of Froberger's music, the Froberger-Werkverzeichnis . ' FbWV ' numbers have been added to the pieces in each volume.
Now, for the first time, keyboard players have access to every work a ttributed to Froberger , including a large number of pieces discovered by the editor, as well as alternative versions and pieces of doubtful authenticity.
In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.
During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.
When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.
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To photocopy is to deprive the composer/author of his/her rightful income for his/her intellectual property.
