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Loewe, Carl: Das Sühnopfer des neuen Bundes

Passion Oratorio in 3 parts

score

Edited by Mücke, Claudia
Setting: Voice, choir and orchestraVoice, choir and orchestra
Instrumentation: SSolo/ASolo/2TSolo/2BSolo/Mixed choir-SATB/2V/Va/Vc/double bass/timpani
Series: Bärenreiter Urtext
Period: Romantic
Grade: 3
Duration: 2:15
Weight: 0.636 kg
Publisher: Bärenreiter
Item number: BA7678
Other reference: BA07678
ISMN: 9790006530021
Loewe's Passion Oratorio Das 'Sühnopfer des neuen Bundes' was probably composed in 1847. The work is divided into three parts, each subdivided into three sections. Each of the resulting nine scenes corresponds with one of the traditional stations of the Passion story.
Loewe used the usual forms of recitative, arioso, aria, chorus and chorale in this work. He nevertheless succeeded in giving the music an absolutely personal character, yet at the same time a diversity of expression. Precisely this diversity of expression has ensured that the oratorio genre has become an important part of the sacred music repertoire in recent years.
This edition takes all available sources into consideration and offers the complete material for the first time in a practical performing edition.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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