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Charpentier, Marc-Antoine: Te Deum H 146

score

Edited by Schauerte Maubouet, Helga
Setting: Voice, choir and orchestra
Instrumentation: SSolo/ASolo/TSolo/BSolo/Mixed choir/2Trp/timpani/harpisc./Str
Series: Bärenreiter Urtext
Period: Baroque
Grade: 3
Weight: 0.373 kg
Publisher: Bärenreiter
Item number: BA7593
Other reference: BA07593
ISMN: 9790006525362

The &ldquo,Te Deum&rdquo, (H 146) is unquestionably the best known composition of Marc-Antoine Charpentier (1643&ndash,1704), especially since its &ldquo, Pr&eacute,lude en rondeau &rdquo, was made theEurovision signature tune. Although Charpentier set the &ldquo,Te Deum&rdquo, altogether four times, this is his only setting employing a &ldquo,military band&rdquo,, i.e. trumpets and kettledrums.

This brilliant andmagnificent piece was frequently played at victo

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100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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