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Rameau, Jean-Philippe: Les Fetes de l'Hymen et de l'Amour

Ballet héroique in one prologue and 3 entrées

score

Words by Cahusac, Louis de
Edited by Soury, Thomas
Setting: Orchestra
Instrumentation: Fl-Picc/Fl/Trp/V/Va/timpani/bassoon/Vc/double bass/Bc
Period: Baroque
Weight: 0.321 kg
Published: 2014
Publisher: Bärenreiter
Item number: BA7569
Other reference: BA07569
ISMN: 9790006523375
Rameau's 'Les Fętes de l'Hymen et de l'Amour' was long considered second-rate because its premiere was associated with a political event. Yet this ballet abounds in novel dramaturgical effects that foreshadow his later operas, such as 'Zaďs', 'Zoroastre' and 'Les Boréades'. Working together with his librettist Cahusac, Rameau sought to weave the dance numbers, choruses and stage machinery more tightly into the main plot. He also experimented with stylistic devices unique to this work, the most famous being unquestionably the scene in which the Nile overflows its banks (an impressive ten-voice double chorus with solo voices and orchestra) and the sextet from 'Aruéris', a scoring found nowhere else in his śuvre.
For the first time, this scholarly-critical edition of 'Les Fętes de l'Hymen et de l'Amour' presents a reference version of the work that is based on all the major sources for both the libretto and the music, including two recent musical discoveries. As most of the performance material for the premiere has vanished, our edition is based on the version prepared for the Académie Royale de Musique in 1748.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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