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Vivaldi, Antonio: Vivaldi, The Four Seasons

part

Edited by Hogwood, Christopher
Setting: Harpsichord
Series: Bärenreiter Urtext
Period: Baroque
Duration: 0:46
Length: 31 pages
Weight: 0.151 kg
Publisher: Bärenreiter
Item number: BA6994-68
Other reference: BA06994-68
ISMN: 9790006506309

One of the best-loved and most endearing works of the late Baroque, Vivaldi's set of Violin Concertos The Four Seasons Op.8 are presented here in an authoritative Barenreiter Urtext edition.

This publication of Vivaldi’s masterpiece is a critical performing edition of the Manchester manuscript source, which originates from Vivaldi’s circle and represents an alternative (in many cases, moreexplicit) version of these famous concertos than the fi

Contents

1.
The Four Seasons Op.8
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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