Janáček, Leoš: Female Choruses C/3
complete edition
It was the only time in his life when he composed for female chorus. In January he wrote Wolf-tracks according to the poem by Jaroslav Vrchlický, which was followed in February by the choral cycle with flute and harp accompaniment Songs of Hradcany from the eponymous collection of František Serafínský Procházka and the chorus Caspar Rutsky from the same poetry collection.
Besides two volumes of male choruses a cappella, the comple te critical edition now also includes a volume with female choruses. Its contents were taken from the original 2002 Editio Janácek edition based on a licensing agreement.
In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.
During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.
When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.
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