Beethoven, Ludwig van: Beethoven, Easy Piano Pieces and Dances
playing score
Contents | ||
---|---|---|
1. | Minuet In G WoP 10 No. 2 | |
2. | Ländlerischer Tanz In D WoO 11 No. 7 | |
3. | Deutscher Tanz In B Flat WoO 13 No. 2 | |
4. | Deutscher Tanz In B Flat WoO 13 No. 6 | |
5. | Ecossaise In E Flat WoO 82 No. 1 | |
6. | Ecossaise In E Flat WoO 86 | |
7. | Rondo In C WoO 48 | |
8. | Sonatina In G Kinsky-Halm Anh. 5 | |
9. | Sonatina In F Kinsky-Halm Anh. 5 | |
10. | Piano Piece In C / C Minor WoO 54 (Lustig und traurig) | |
11. | Piano Piece In A Minor WoO 59 (Für Elise) | |
12. | Bagatelle In D Op.33 No.6 | |
13. | Bagatelle In G Minor Op.119 No.1 | |
14. | Six Variations on a Swiss Song In F WoO 64 | |
15. | St. Patrick's day (Air ecossaise) Op.107 No. 4 | |
16. | Folksong from Little Russia (Air de la petite Russie) op. 107 No. 3 | |
17. | Schöne Minka (Air russe) op. 107 No. 7 |
In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.
During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.
When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.
