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Bach, Carl Philipp Emanuel: The Six Württemberg Sonatas

playing score

Edited by Steglich, Rudolf
Setting: Piano
Instrumentation: piano
Period: Baroque
Grade: 3
Length: 53 pages
Weight: 0.224 kg
Publisher: Bärenreiter
Item number: BA6498
Other reference: BA06498
ISMN: 9790006480104
Carl Philipp Emanuel Bach's 'Württemberg Sonatas' - named after their dedication to Carl Eugen Duke of Württemberg who studied with Bach at the court of Frederick the Great in Berlin - were published in 1744. Together with the 'Prussian Sonatas' edited two years before, the 'Württemberg Sonatas' are undoubtedly the most significant German piano compositions from the time between Johann Sebastian Bach and Joseph Haydn. They are regarded as main works among the general piano art music and clearly stand out from the expressive and playful rococo style of that time.
The publication of the 'Württemberg Sonatas' edited by Rudolf Steglich in 1928 is a perfect example for considering musicological as well as performance practical aspects within one edition. With this present special edition, the publisher complies with the request for a republication of the Sonatas which have been unavailable for a long time.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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