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Haydn, Franz Joseph: Six Psalms

for three-part mixed Chorus

vocal/choral score

Words by Merrick, James – Rechlin, Eva
Edited by Zimmer, Ulrich
Setting: Mixed Voices
Instrumentation: Mixed choir: SAB
Period: Classic
Grade: 2
Length: 28 pages
Weight: 0.074 kg
Publisher: Bärenreiter
Item number: BA6232
Other reference: BA06232
ISMN: 9790006477289

Six Psalms (Hob.XXIII: Appendix) for three-part mixed Chorus (SAB)

During his second visit to England in 1794, Joseph Haydn made the acquaintance of the Rector of Westbourne, the Reverend William Dechair Tattersall. Hetried to interest Haydn in his plan to improve congregational singing, more particularly the singing of psalms, in the Anglican Church. Haydn's fame in England had been well founded durng his first visit in 1791/1792 and now, atthe height of his celebrity, he was warmly

100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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