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Haydn, Franz Joseph: Missa brevis St. Joannis de Deo

vocal/choral score

Transcribed by Breuer, Herbert – Moehn, Heinz
Setting: Vocal
Instrumentation: SSolo/female choir(SMezAA)/2V/Vc/double bass/Org
Period: Classic
Grade: 3
Weight: 0.142 kg
Publisher: Bärenreiter
Item number: BA5694-90
Other reference: BA05694-90
ISMN: 9790006559220
Haydn presumably wrote his 'Missa brevis' in 1775 for the Brothers Hospitallers of Eisenstadt Abbey. The work takes its nickname, the ‚Little Organ Mass', from the organ solo in the 'Benedictus'. This arrangement for female choir (SMezAA) is based on the complete edition of the 'Works of Joseph Haydn'.The original soprano and alto parts have, for the most part, been taken over, as has the soprano solo in the 'Benedictus'. The tenor and bass parts are distributed among the mezzo-sopranos and altos, with a few well thought-out alterations to preserve the harmonic structure. Heribert Breuer has retained the original substance with great skill while giving the work a wholly new and attractive sound.
Heribert Breuer was professor of choral conducting and music theory at Berlin University of the Arts until 2010. He is the founder and conductor of the Berlin Bach Academy.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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