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Mozart, Wolfgang Amadeus: Barenreiter Female Choir: Missa in C maj K. 317 - Coronation Mass Arranged for femal choir SMA

score

Transcribed by Breuer, Herbert
Instrumentation: SSolo/ASolo/TSolo/BSolo/female choir:SMezA/2Ob/2Hn/2Trp/timpani/2V/Bc(Vc/double bass/bassoon/Org)
Period: Classic
Weight: 0.323 kg
Publisher: Bärenreiter
Item number: BA5691
Other reference: BA05691
ISMN: 9790006535422
The choral scene is in a state of change! On the one hand, more and more choirs are lacking in male voices, yet at the same time, more and more female choirs are looking for high-quality literature beyond folksong arrangements.Bärenreiter is responding to these general trends with the publication of arrangements for three-part female choir (SMA) of well-known, frequently-performed works.

The first editions to be published are Wolfgang AmadeusMozart’s ''Coronation Mass'' K. 317 (BA 5691),
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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