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Schubert, Franz: Die Zauberharfe. Overture

score

Edited by Dalmonte, Rossana
Setting: Orchestra
Instrumentation: 2Fl/2Ob/2clarinet-c/2bassoon/4Hn/2Trp/3trombone/timpani/Str
Series: Bärenreiter Urtext
Period: Romantic
Duration: 0:11
Length: 54 pages
Weight: 0.255 kg
Publisher: Bärenreiter
Item number: BA5644
Other reference: BA05644
ISMN: 9790006501595
Written in 1820 the opera "Die Zauberharfe" (The Magic Harp) was not a critical success and after only eight performances disappeared from the repertoire. After Schubert's death the overture came to be known as the "Rosamunde" overture in the mistaken belief that it had been used as part of Schubert's incidental music for a play of the same name by Helmina von Chézy.
The overture is in modified sonata form and Schubert borrowed material from his earlier overture "in the Italian style".
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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