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Schubert, Franz: Mass

score

Op. 48
Edited by Scattolin, Pier Paolo
Setting: Voice, choir and orchestraVoice, choir and orchestra
Instrumentation: SSolo/ASolo/TSolo/BSolo/Mixed choir-SATB/2Ob ad lib./2clarinet ad lib./2Trp ad lib./timpani ad lib./2V/Vc/double bass/Org
Series: Bärenreiter Urtext
Period: Romantic
Grade: 4
Weight: 0.304 kg
Publisher: Bärenreiter
Item number: BA5622
Other reference: BA05622
ISMN: 9790006472963
The Mass in C major (D 452), composed during June and July 1816, was written for the church in Lichtental and presumably also first performed there, as can be inferred from the dedication to the choirmaster of the church, Michael Holzer. Not only is the first edition dedicated to Holzer, but also the autograph score, which bears a dedication 'to Mr. Holzer' on its title page.
This new edition was based on the first edition. Schubert not only added the oboe parts, but also revised the score for the performance of the Mass at St. Ulrich, an occasion that was closely connected with the publication of the first edition. Of course, the autograph was also examined in view of assuring a better interpretation of Schubert's markings.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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