Schubert, Franz: Partsongs for Voices of the Same Register with Accompaniment

complete edition

Setting: Voice and piano
Instrumentation: Sti-Gl,Piano/Git
Period: Romantic
Length: 636 pages
Publisher: Bärenreiter
Item number: BA5574-01
Other reference: BA05574-01
ISMN: 9790006497423
Franz Schubert's Partsongs for Voices of the Same Register with piano or guitar accompaniment were very popular among his contemporaries, much like his famous Lieder. Schubert learned singing in multiple parts both at home and at school, small cantatas for family festivities and trios for his compositional studies are among his early compositions. Alongside uplifting vocal movements in the style of Michael Haydn, he composed several drinking songs for unison choir. The young composer had his first public success with 'Das Dörfchen' (D 598). Starting in 1819, he composed more sophisticated vocal quartets, such as 'Gondelfahrer', 'Die Nachtigall', and 'Nachthelle' for performances at the Vienna Musikverein. Until today, these works are an essential part of the Romantic male voice repertory.
Some of Schubert's partsongs represent the unique sociability of Vienna's middle class during the Biedermeier period. They were written for festive occasions involving Schubert's friends and acquai ntances, such as 'Standchen' D 920: The work was commissioned by voice teacher Anna Fröhlich for one of her pupils and is based on a poem by Franz Grillparzer.
The present volume contains 46 partsongs for three to five voices of the same register or unison choir, representing the entire spectrum of the genre, including diverging versions of some of the songs and some works that remained fragmentary, such as the third setting of J. W. von Goethe's 'Gesang der Geister über den Wassern'.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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