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Berlioz, Hector: Les Troyens (NBE) 2/a-c

Opéra en cinq actes (3 part volumes)

complete edition

Edited by Macdonald, Hugh
Transcribed by Wernhard, Eike
Translated by Werle, Simon
Instrumentation: 3SSolo/2MezSolo/ASolo/4TSolo/2BarSolo/7BSolo/Mixed choir: SSTTBB/Ball/Fl-Picc/2Fl/Fl-Picc/2Ob/2clarinet/4bassoon/4Hn/2Trp/2Pist/3trombone/Op/Tb/timpani/percussion/6/8harp/Str/Bühnenmusik: 3Ob/3trombone/9Saxhorns/timpani/percussion
Series: New Berlioz Edition
Period: Romantic
Duration: 4:00
Length: 947 pages
Weight: 5.053 kg
Publisher: Bärenreiter
Item number: BA5442
Other reference: BA05442
ISMN: 9790006471416

Les Troyens - The Trojans: Opera in 5 Acts

Berlioz composed Les Troyens towards the end of his life, drawing on Virgil&rsquo,s epic poem The Aeneid, which he had admired since his childhood. In his Memoirs he recountshow his father, a country doctor, read Virgil to him and how the story of Dido&rsquo,s tragic fate reduced him to tears which he tried hard to conceal.

The score was finished in April 1858, but he was unable to persuade theParis Opera to mount it (his earlier opera

100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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