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Bach, Johann Sebastian: Early Versions of the Mass

vocal/choral score

Transcribed by Köhs, Andreas
Edited by Wolf, Uwe
Setting: Vocal
Instrumentation: Mixed choir: SSATB/Orch
Series: Bärenreiter Urtext
Period: Baroque
Grade: 4
Weight: 0.367 kg
Publisher: Bärenreiter
Item number: BA5293-90
Other reference: BA05293-90
ISMN: 9790006532735
Several movements of what was later called the Mass in B minor were preceded by early versions: the Kyrie-Gloria Mass of 1733, the early G major version of the Credo rediscovered a few years ago in Gotha as well as the Sanctus of 1724. All of these shed interesting light on the history of this great masterpiece. For example, the brief Credo invocation differs from the later version in its choice of key, and the Sanctus was originally conceived for three sopranos, alto, tenor and bass. The Kyrie-Gloria Mass likewise reveals many independent and timbrally appealing departures from the corresponding movements in the familiar large-scale setting.
The corresponding volume of the 'New Bach Edition' (series II/volume 1a) serves as a conducting score.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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