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Bach, Johann Sebastian: Four Sonatas 2

BWV 1034-1035 for Flute and Basso continuo. BWV 1030, 1032 for Flute and obbligato Harpsichord

playing score

Edited by Scheideler, Ullrich
Instrumentation: Fl/Bc/harpisc.
Series: Bärenreiter Urtext
Period: Baroque
Weight: 0.547 kg
Publisher: Bärenreiter
Item number: BA5198
Other reference: BA05198
ISMN: 9790006447992

Four Sonatas comprises: BWV 1034-1035 for Flute and Basso Continuo, and, BWV 1030 and 1032 for Flute and obbligato Harpsichord.

Bach&rsquo,s preferred instrument for chamber music, after the violin, was thetraverse flute. Yet today it is impossible to determine exactly how much music he wrote for this instrument or the genesis of those compositions that survive. The elegance and fluency of the flute writing reflects Bach&rsquo,sunderstanding and love of the instrument.<br

Contents

1.
Sonata In A BWV 1032
2.
Sonata In B Minor BWV 1030
3.
Sonata In E BWV 1035
4.
Sonata In E Minor BWV 1034
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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