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Bach, Johann Sebastian: The Well-Tempered Clavier BWV 870-893 2

playing score

Edited by Dürr, Alfred
Setting: Harpsichord, Piano
Instrumentation: harpisc./piano
Series: Bärenreiter Urtext
Period: Baroque
Grade: 4
Weight: 0.702 kg
Publisher: Bärenreiter
Item number: BA5192
Other reference: BA05192
ISMN: 9790006498727
The Well-Tempered Clavier II BWV 870-893 - 48 Preludes & Fugues.
Harpsichord, Piano.

Johann Sebastian Bach's idea of composing a collection of preludes and fugues in all major and minor keys was new andrevolutionary in the second decade of the 18th century, particularly when considering that the tuning in use up top then distributed pure and ''impure'' intervals irregularly throughout the keys. The result was that one could playvery well in many keys, but not at all in others.

Contents

1.
Prelude and Fugue in C major BWV 870 [Bach, Johann Sebastian]
2.
Prelude and Fugue in C minor BWV 871 [Bach, Johann Sebastian]
3.
Prelude and Fugue in C sharp major BWV 872 [Bach, Johann Sebastian]
4.
Prelude and Fugue in C sharp minor BWV 873 [Bach, Johann Sebastian]
5.
Prelude and Fugue in D major BWV 874 [Bach, Johann Sebastian]
6.
Prelude And Fugue In D Minor BWV 875 [Bach, Johann Sebastian]
7.
Prelude and Fugue in E-flat major BWV 876 [Bach, Johann Sebastian]
8.
Prelude and Fugue in D sharp minor BWV 877 [Bach, Johann Sebastian]
9.
Prelude and Fugue in E major BWV 878 [Bach, Johann Sebastian]
10.
Prelude and Fugue in E minor BWV 879 [Bach, Johann Sebastian]
11.
Prelude and Fugue in F major BWV 880 [Bach, Johann Sebastian]
12.
Prelude and Fugue in F minor BWV 881 [Bach, Johann Sebastian]
13.
Prelude and Fugue in F sharp major BWV 882 [Bach, Johann Sebastian]
14.
Prelude and Fugue in F sharp minor BWV 883 [Bach, Johann Sebastian]
15.
Prelude and Fugue in G major BWV 884 [Bach, Johann Sebastian]
16.
Prelude and Fugue in G minor BWV 885 [Bach, Johann Sebastian]
17.
Prelude and Fugue in A-flat major BWV 886 [Bach, Johann Sebastian]
18.
Prelude and Fugue in G sharp minor BWV 887 [Bach, Johann Sebastian]
19.
Prelude and Fugue in A major BWV 888 [Bach, Johann Sebastian]
20.
Prelude and Fugue in A minor BWV 889 [Bach, Johann Sebastian]
21.
Prelude and Fugue in B-flat major BWV 890 [Bach, Johann Sebastian]
22.
Prelude and Fugue B-flat minor BWV 891 [Bach, Johann Sebastian]
23.
Prelude and Fugue B major BWV 892 [Bach, Johann Sebastian]
24.
Prelude and Fugue B minor BWV 893 [Bach, Johann Sebastian]
25.
Appendix: Prelude and Fugue in C major BWV 870b Vertsion A [Bach, Johann Sebastian]
26.
Prelude in C major BWV 870b Variant of Version A [Bach, Johann Sebastian]
27.
Prelude in C sharp minor BWV 873 Version A [Bach, Johann Sebastian]
28.
Fugue in A-flat major BWV 886
29.
2 Variant [Bach, Johann Sebastian]
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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