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Bach, Johann Sebastian: The Six English Suites

playing score

Edited by Dürr, Alfred
Setting: Harpsichord
Instrumentation: harpisc./piano
Series: Bärenreiter Urtext
Period: Baroque
Grade: 4
Weight: 0.547 kg
Publisher: Bärenreiter
Item number: BA5165
Other reference: BA05165
ISMN: 9790006466191
Bach composed these suites early in life, before any of the other suite sets, such as the French suites. They portray a young Bach bursting with energy, dexterity and ideas, and rapt enthusiasm for the newest styles of the day -the Italian concertos of Vivaldi, and the French harpsichord suites of D'Anglebert, Daquin and Couperin. Melding these powerful forms with the already Italianate German fantasy or toccata, Bach produced some of the world's firsttrue virtuoso keyboard masterpieces. Little

Contents

1.
Suite 2 BWV 807
2.
Suite 3 BWV 808
3.
Suite 4 BWV 809
4.
Suite 5 BWV 810
5.
Suite 6 BWV 811
6.
Suite No.1 BWV 806
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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