Bach, Johann Sebastian: Notebook for Anna Magdalena Bach

Bibliophile performing edition

playing score

Edited by Dadelsen, Georg von
Setting: Piano
Instrumentation: piano
Series: Bärenreiter Urtext
Grade: 5
Weight: 0.615 kg
Publisher: Bärenreiter
Item number: BA5115
ISMN: 9790006531660
This special edition recreates the most eloquent relic of Anna Magdalena Bach, the Kavierbüchlein begun in 1725. In our edition we have tried to reproduce its format and appearance so as to convey with the very first impression some idea of the original's charm. The binding is of sea-green parchment, on the front cover the initials A M B and the date 1725 are in gold.
Bach himself started the collection with two big partitas as a form of dedication and it was left to the owner to decide what else to include. The result is a patchwork of pieces by various composers, many copied in Anna Magdalena's impressive handwriting, including works by Bach's sons.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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