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Bach, Johann Sebastian: Magnificat in D-Dur BWV243

vocal/choral score

Edited by Dürr, Alfred
Transcribed by Müller, Gerhard
Setting: Vocal
Instrumentation: 2SSolo/ASolo/TSolo/BSolo/Mixed choir: SSATB/2Fl/2Ob(2Ob-dam)/3Trp/timpani/2V/Va/Bc(bassoon/Vc/Vo/Org)
Series: Bärenreiter Urtext
Period: Baroque
Grade: 3
Length: 87 pages
Weight: 0.253 kg
Publisher: Bärenreiter
Item number: BA5103-90
Other reference: BA05103-90
ISMN: 9790006464272
- BA 5103-90 replaces the previous vocal score. The article number remains unchanged.
- The text appears in slightly larger type size and a clearly legible font.
- The pagination has been adopted from the previous edition. This means that you can rehearse and perform this work with some singers using this new edition and some the old Barenreiter edition.
- This vocal score is fully compatible with all existing performance material (BA 5103)
- The new vocal score includes a revised piano reduction. It is based on the reliable Eduard Müller piano reduction but has been revised and re-engraved, making it far easier to read and play.
- A more exact spacing of underlaid words has been included in the vocal parts.
- Apart from the revised piano reduction, the musical text remains unchanged.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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