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Mozart, Wolfgang Amadeus: Inter natos mulierum

score

Edited by Federhofer, Hellmut
Setting: Mixed Voices and Accompaniment
Instrumentation: Mixed choir-SATB/trombone1/trombone2/trombone3/Str/Org
Series: Bärenreiter Urtext
Period: Classic
Grade: 3
Duration: 0:03
Length: 16 pages
Weight: 0.103 kg
Publisher: Bärenreiter
Item number: BA4788
Other reference: BA04788
ISMN: 9790006456550
Mozart composed the offertory 'Inter natos mulierum' K. 72 (74f) in the early summer of 1771. Characteristic of the work is the expressive quality of the choir which is rich in contrast and largely outshines the instruments. A motive of descending fifths that is explored at length by the orchestra then becomes a refrain-like link within the work.
The text has been taken from the Gospel of Matthew 11,11 and the Gospel of John 1,29. The opening passage returns in the 4th antiphon in II. Vesperis de Nativitate S. Joannis Baptistae. The last movement acts as an absolution formula in the mass.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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