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Haydn, Franz Joseph: Lo Speziale - Der Apotheker

Dramma giocoso

vocal/choral score

Translated by Brenner, Peter
Words by Goldini, Carlo
Transcribed by Wernhard, Eike
Edited by Wirth, Helmut
Setting: Vocal
Instrumentation: piano/2SSolo/2TSolo
Period: Classic
Duration: 0:50
Weight: 0.477 kg
Publisher: Bärenreiter
Item number: BA4641-90
Other reference: BA04641-90
ISMN: 9790006526178
The newly-built opera house in the park at Schloss Eszterháza was opened in September 1768 with Lo Speziale . The work has combinations of roles and the complications typical for opera buffa . The two youths Mengone and Volpino complete for the affections of Grilletta , the pretty ward of the strange apothecary Sempronio . But the apothecary would prefer the girl for himself. In the end, true love triumphs.
Unfortunately, the score of Lo Speziale has not survived the centuries in a complete form. Parts of the music of the third act are lost. The corresponding text has been taken from the libretto.
The appendix includes a second version of aria no. 7, which has survived in Haydn's autograph .
The vocal score is based on the Urtext of the corresponding volume of the Haydn Complete Edition (XXV/3, 1959) and the Critical Commentary.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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