Price: $22.10 (Excl. VAT)
Web-shop: Usually ships within 16 days
Pick up in store: Usually ships within 16 days

For smaller quantity, please contact our customer service.

Händel, Georg Friedrich: Alexander's Feast

Cantata in two parts

vocal/choral score

Transcribed by Ameln, Konrad – Mozart, Wolfgang Amadeus – Wissemann, Antje
Edited by Holschneider, Andreas
Words by Dryden, John
Translated by Ramler, Karl Wilhelm
Setting: Vocal
Instrumentation: SSolo/2TSolo/BSolo/Mixed choir:SSATTBB/2Fl/2Ob/2clarinet/2bassoon/2Hn/2Trp/timpani/Str/Bc
Series: Bärenreiter Urtext
Period: Baroque
Weight: 0.383 kg
Publisher: Bärenreiter
Item number: BA4527-90
Other reference: BA04527-90
ISMN: 9790006542949

In 1736 Handel composed ''Alexander’s Feast'' or ''The Power of Musick'', a two-part cantata based on John Dryden’s poem of the same name.

In 1790, at the suggestion of Baron Gottfried van Swieten, Mozart arranged this workusing a German translation of the poem made by Karl Wilhelm Ramler in 1770. As in other arrangements of Handelian works, Mozart’s re-instrumentation leads to a change in the sound character of the work, placing the composition inthe tradition of the Viennese Classic.

100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

Subscribe to our e-mail newsletter

Stay updated on the latest news and publications

JOIN A COMMUNITY

of music lovers, educators and performers