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Händel, Georg Friedrich: Orlando

Opera in 3 acts

vocal/choral score

Words by Anonymus (nach Carlo Sigismondo Capeci)
Translated by Brenner, Peter
Edited by Best, Terence – Flesch, Siegfried
Transcribed by Pacholke, Michael
Setting: Vocal
Instrumentation: SSolo/2MezSolo/ASolo/BSolo/Orch
Series: Bärenreiter Urtext
Period: Baroque
Weight: 0.588 kg
Publisher: Bärenreiter
Item number: BA4087-90
Other reference: BA04087-90
ISMN: 9790006563289

Premiered in London in 1733, Handel&rsquo,s &ldquo,magic opera&rdquo, Orlando is based on a libretto by Carlo Sigismondo Capeci that derives indirectly from Ludovico Ariosto&rsquo,s epic poem Orlandofurioso.

This subject was very popular at the time and was frequently set to music, e.g. by Jean-Baptiste Lully, Agostino Steffani and Joseph Haydn. The title role of Orlando is the last one thatHandel wrote for the celebrated castrat

100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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