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Händel, Georg Friedrich: Ottone

Opera in 3 acts

vocal/choral score

Words by Haym, Nicola Francesco (nach Stefano Benedetto Pallavicini)
Translated by Schweinhardt, Peter
Transcribed by Köhs, Andreas
Edited by McLauchlan, Fiona
Setting: Vocal
Instrumentation: 2SSolo/MezSolo/2ASolo/BSolo/2Ob/3V/Va/Bassi (Vc/double bass/bassoon/harpisc./Erzlaute)
Series: Bärenreiter Urtext
Period: Baroque
Duration: 3:15
Weight: 0.786 kg
Publisher: Bärenreiter
Item number: BA4077-90
Other reference: BA04077-90
ISMN: 9790006539734
Handel completed his opera 'Ottone' in August 1722, but the first performance did not take place until January 1723 in the Haymarket Theatre, London, the composer had waited so long for the famous soprano Francesca Cuzzoni who he had in mind for the role of Teofane. 'Ottone' was an immediate success from the beginning, not only for its top-class cast but also because of its formal and musical structure. It received numerous revivals until 1733.
Stylistically, 'Ottone' follows in the Neapolitan opera tradition with emotionally charged arias as the principal vehicles of expression, whilst the plot is carried forward in the secco recitatives.
The dramatic action is interpreted and intensified through the choice of arias and keys.
The vocal score is based on volume II/12 of the 'Halle Handel Edition' (BA 4077), which contains the complete critical musical text of the opera for the first time.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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