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Händel, Georg Friedrich: Händel, Serse

vocal/choral score

Words by Anonymus (nach Nicolo Minato und Silvio Stampiglia)
Translated by Schuhmacher, Gerhard
Edited by Best, Terence
Transcribed by Köhs, Andreas
Setting: Vocal
Instrumentation: 3SSolo/MezSolo/ASolo/2BSolo/Orch
Series: Bärenreiter Urtext
Period: Baroque
Weight: 0.693 kg
Publisher: Bärenreiter
Item number: BA4076-90
Other reference: BA04076-90
ISMN: 9790006526987
Handel started writing ' Serse ' on 26 December 1737 and completed the third act on 6 February 1738. The premiere took place on 15 April of the same year at the King's Theatre in the Haymarket. Four performances followed, after which the work was not heard again until 1924.
The opera focuses on the Persian king Serse , who, rather than serving as a military commander or statesman, appears at the centre of a highly complex love story. Handel provided an admixture of buffo elements (the antics of the servant Elviro , the stupidity of the soldier Ariodate ) to the standard ingredients of opera seria , such as the broadly declaimed woes of Serse , Romilda , Arsamene , and Amastre .
This interweaving of seemingly incompatible stylistic resources arose in Naples and can already be found in the 17th century librettos that served as the principal sources of Handel's Serse .
Though unsuccessful at the time, today ' Serse ' is prized precisely for its comic undertones and is regular ly seen on stage.
Our new Urtext vocal score is based on the volume edited by Terence Best for the 'Halle Handel Edition' (series II/volume 39).
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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