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Händel, Georg Friedrich: Händel, Rodelinda,

vocal/choral score

Words by Haym, Nicola Francesco
Translated by Streul, Eberhard
Edited by Jones, Andrew V.
Transcribed by Rot, Michael
Setting: Vocal
Instrumentation: SSolo/MezSolo/2ASolo/TSolo/BSolo/Orch
Series: Bärenreiter Urtext
Period: Baroque
Weight: 0.854 kg
Publisher: Bärenreiter
Item number: BA4064-90
Other reference: BA04064-90
ISMN: 9790006505395
After Giulio Cesare and Tamerlano , Rodelinda is the third masterly opera that Handel composed between December 1723 and January 1725. The words were written by Nicola Haym , the author of many other Handel librettos. The first performance took place at the King's Theatre in the Haymarket, London , on 13 February 1725. Rodelinda thrives entirely on the ethical supremacy of conjugal love, and thus prefigures the great operas by Gluck and Beethoven on the same subject. The plot is taken from the history of the Lombard royalty.
Oskar Hagen's revival of Rodelinda in 1920 ushered in the modern Handel opera movement.
The work forms the climax to a series of dramatic masterpieces that includes Handel's most significant operas.
Handel returned to Rodelinda on two occasions, in December 1725 and in May 1731. Many far-reaching changes were necessary owing to the different skills of the new singers.
For example, Handel wrote three new arias and a duet for the first revival. Yet th e changes he made for this performance, doubtless to accommodate the needs and wishes of the singers, also improve the work's dramatic substance.
Our vocal score is based on the Urtext of the full score published in the Halle Handel Edition (II/16) and reproduces the various alternative readings and versions in an appendix.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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