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Händel, Georg Friedrich: Amadigi

Opera seria in 3 acts

vocal/choral score

Edited by Knapp, John Merrill
Transcribed by Schmidt, Christian Martin
Translated by Pacholke, Michael
Words by nach Antoine Houdar de la Motte
Setting: Vocal
Instrumentation: 2SSolo/MezSolo/ASolo/B/SSolo/Trp/2recorder-A/2Ob/Str/Bc
Series: Bärenreiter Urtext
Period: Baroque
Weight: 0.527 kg
Publisher: Bärenreiter
Item number: BA4031-90
Other reference: BA04031-90
ISMN: 9790006550012
On 25 May 1715 Handel's fifth London opera received its triumphant premiere. The success of what was Handel's third opera about magic was based not only on the splendid new sets and costumes but also on the extraordinary richness of beautiful music which accompanied the dramatic experiences of the lovers Amadigi and Oriana in battle with the sorceress Melissa.
' Amadigi ' was probably written with the famous castrato Nicolini in mind, who sang the title role in the premiere. The opera remained regularly in the repertoire until 1717 with small changes caused by illness or a change of singers. ' Amadigi ' was also performed several times in German in Hamburg between 1717 and 1720.
The new vocal score is based on volume II/8 of the 'Halle Handel' Edition, the appendix contains all surviving variants from the original performances during Handel's lifetime.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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