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Händel, Georg Friedrich: L'Allegro, il Penseroso ed il Moderato

Oratorio in 3 parts

vocal/choral score

Edited by Hall, James S. – Hall, Martin V.
Transcribed by Köhs, Andreas
Words by Jennens, Charles (nach John Milton)
Setting: Vocal
Instrumentation: SSolo/ASolo/TSolo/BSolo/Mixed choir-SATB/piano
Series: Bärenreiter Urtext
Period: Baroque
Grade: 3
Weight: 0.468 kg
Publisher: Bärenreiter
Item number: BA4023-90
ISMN: 9790006443192
Handel's oratorio L'Allegro , il Penseroso ed il Moderato is based on two poems of 1623 by John Milton. Their main focus draws on merriment, as expressed in the joys of dawn, the hunt, a pastoral idyll and thriving towns, and on melancholy, as felt in the coolness of the nocturnal forest, the song of the nightingale, and the observation of the stars. The librettist, Charles Jennens , contrasts these two antipodes with a third vehicle for the emotions: ' il Moderato', who sees happiness in the moderation of these two extremes.
Unlike his two preceding oratorios 'Saul' and ' Israel in Egypt ', which centered on the dramatic and the epic, here Handel has written a lyric work that gives broad latitude to the musical depiction of nature.
The piano reduction, by Andreas Köhs , follows the Urtext of the Halle Handel Edition.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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