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Händel, Georg Friedrich: Saul (HHA) I/13

Oratorio in 3 acts

complete edition

Words by Jennens, Charles
Translated by Siegmund-Schultze, Walther
Edited by Young, Percy M.
Instrumentation: 2SSolo/ASolo/5TSolo/3BSolo/Mixed choir-SATB/2Fl/2Ob/2bassoon/2Trp/3trombone/timpani/Glsp/Str/Bc
Series: Halle Handel Edition
Period: Baroque
Grade: 4
Weight: 1.771 kg
Publisher: Bärenreiter
Item number: BA4020
Other reference: BA04020
ISMN: 9790006443055
Saul was given its first performance under Handel's direction at the Haymarket Theatre, London, on 16 January 1739. The original libretto (dated 1738) refers to the work as 'an Oratorio or Sacred Drama'. This libretto was written by Charles Jennens (1700-1770), a wealthy amateur writer from Gopsall, Leicestershire. A letter of 28 July 1735 from Handel to Jennens suggests that a complete raft of the text already existed at that time.
Saul occupies an extraordinarily important position in the English oratorio tradition that Handel brought to perfection, standing alongside Israel in Egypt at the end of the first creative period of such works.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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