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Händel, Georg Friedrich: Jephtha

Oratorio in 3 acts

vocal/choral score

Transcribed by Focke, Martin
Edited by Nott, Kenneth
Words by Morley, Thomas
Setting: Vocal
Instrumentation: 2SSolo/MezSolo/TSolo/ASolo/BSolo/Mixed choir:SSATB/Fl/2Ob/2bassoon/2Hn/2Trp/3V/Va/Bassi(Vc/double bass/bassoon/harpisc./Org)
Series: Bärenreiter Urtext
Period: Baroque
Weight: 0.801 kg
Publisher: Bärenreiter
Item number: BA4014-90
Other reference: BA04014-90
ISMN: 9790006521562
Jephtha' is Handel's last oratorio. Handel had to break off from composing several times because of his increasing blindness in 1751. The first performance at the Covent Garden Theatre in February 1752 was the last performance he conducted before he went completely blind.
In 'Jephtha', Handel succeeded in achieving the perfect fusion between a biblical plot and the spirit of classical tragedy. With great intensity and dramatic expression he highlighted in particular the fates of Jephtha and Iphis , thereby portraying convincing and complex characters.
The chorus 'How Dark, O Lord, are Thy Decrees' at the end of part two is of crucial importance in the work and is regarded as the dramatic high point of the oratorio.
The vocal score is based on volume I/30 of the 'Halle Handel Edition' (BA 4014), which contains the complete critical version of the music of the oratorio for the first time.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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