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Gluck, Christoph Willibald: Orpheus and Eurydice I/1

Opera in 3 acts

complete edition

Edited by Abert, Anne Amalie – Finscher, Ludwig
Words by Calzabigi, Ranieri de'
Translated by Swarowsky, Hans
Instrumentation: 2SSolo/ASolo/Mixed choir-SATB/ballet/2Fl/2Cha/2Ob/2EnglHn/2bassoon/2Kor/2Hn/2Trp/3trombone/timpani/harp/2V/harpisc./Vc/double bass
Series: Gluck Complete Edition
Period: Classic
Duration: 1:40
Weight: 1.467 kg
Publisher: Bärenreiter
Item number: BA2294
Other reference: BA02294
ISMN: 9790006419722
Christoph Willibald Gluck's most popular opera 'Orphée et Euridice' was performed in 1774 in Paris to sensational success. This new adaption followed the original Viennese version with Italian text that was first performed in 1762 under the direction of the composer in the Burgtheater. For the Paris version Gluck changed the leading part Orpheus from an alto to a tenor role and composed new recitatives.
Both versions of Gluck's reform drama are based on a libretto by Ranieri de' Calzabigi and revolutionised metastasian opera of the 18th century. Solo and choral music, instrumental music, pantomime and dance are all closely connected, the myth replaces a historical plot surrounded by intrigue, where there would have been a da-capo aria there are now simple song forms and coloratura is largely abandoned. These meticulously revised vocal scores of both versions are also newly set.
- Urtext editions based on 'Gluck, The Complete Works'
- Revised and newly set
- New forewords - 'Orfeo' (Ger/Eng/Ital), 'Orphée' (Ger/Eng/Fr)
- Clear, idiomatic piano reductions
- The revised editions are compatible with the old editions
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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