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Gluck, Christoph Willibald: L'Ile de Merlin ou Le Monde renversé (Merlins Insel oder Die verkehrte Welt)

Comic Opera in 1 act

vocal/choral score

Words by Anseaume, Louis
Translated by Haußwald, Günter
Transcribed by Hauschka, Thomas
Setting: Vocal
Instrumentation: 3SSolo/5TSolo/3BSolo/speaker/2Fl/2Ob/2EnglHn/2bassoon/2Hn/Str/Bc
Series: Bärenreiter Urtext
Period: Classic
Duration: 1:50
Weight: 0.344 kg
Publisher: Bärenreiter
Item number: BA2293-90
Other reference: BA02293-90
ISMN: 9790006524945
The fact that ' opéra comique ', rooted in the folk art of the French vaudeville, was brought to its high-point by Gluck, a German composer working in Italian, clearly demonstrates the close relationships and interconnections made in European musical life in the mid-18th century. With ' L'Ile de Merlin ou Le monde renversé ' Gluck created an enchanting buffo work which draws its charm not only from its colourful music with appealing details of instrumentation and characterisation but also from the juxtaposition of real, mythological and fairy-tale figures as well as from the critical social undertones in the libretto.
The new edition is based on the Gluck Complete Edition, Series IV, volume 1, edited by Günter Haußwald .
- Based on the Urtext of 'Gluck, Complete Works'
- Original French text with singing German translation
- Detailed foreword (Ger/Eng/Fr)
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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