Stamitz, Carl: Concerto for Bassoon and Orchestra in C major

score

Setting: Bassoon and various instruments
Instrumentation: bassoon-solo,2Ob,2Hn,2V,2Va,Vc,db
Grade: 4
Duration: 00:16:00
Length: 42 pages
Publisher: Bärenreiter
Item number: BA11563
Other reference: BA11563
ISMN: 9790260109032
The compositional legacy of Carl Stamitz (1745-1801) includes seven concertos for bassoon and orchestra. The Concerto in C major was last published by Breitkopf & Hartel between 1782 and 1784, after which it vanished into oblivion and has never been reissued since.
Now Ondrej Šindelár, the bassoonist of the Czech Philharmonic, has unearthed the historic parts of this work as well as other unique sources, such as the manuscript of a version for cello. Our Urtext edition is based on these sources and also offers a detailed Critical Commentary (Eng) as well as a new piano reduction.
Stamitz's concerto represents a welcome addition to the bassoonists' concert repertoire.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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