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An Expedition into Czech Piano Music

A collection of pieces for early intermediate pianists

score

Setting: Piano
Grade: 2
Length: 64 pages
Publisher: Bärenreiter
Item number: BA11560
Other reference: BA11560
ISMN: 9790260108981
The leading Czech pianist Ivo Kahánek has long devoted himself to training young musicians. With this album of recital pieces he offers young pianists quite easy pieces by well-known Czech composers.
The collection provides a cross-section of Czech piano literature from the 18th to the late 20th century. It contains pieces from the Czech classical period (Benda and Dusík), 19th-century and 'fin-de-siecle' romanticism (Voríšek, Smetana, Dvorák, Fibich, Suk and Novák) as well as pieces of various styles from the latter half of the 20th century (Vreštál, Kabelác, Eben, Slavický, Dlouhý and Sluka). Fingering has been supplied by the editor to support pianists in their playing. All the pieces appear in their original form, they have neither been arranged nor adapted.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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