Dvořák, Antonín: Songs II
for High Voice and Piano
vocal/choral score
Songs II for High Voice and Piano
Following the publication of Dvorá,k&rsquo,s early set of love songs &ldquo,Cypresses&rdquo, (BA9569), all his other songs with piano accompaniment are nowappearing in Urtext editions.
&ldquo,Songs II&rdquo, includes the mature works from Dvorá,k&rsquo,s late period. Besides the well-known cycle &ldquo,Love Songs&rdquo, and the less well-known cycle &ldquo,ThreeModern Greek Songs&rdquo,, the volume al
Contents | ||
---|---|---|
1. | Tri novorecke b sne | |
2. | Three Modern Greek Poems Op.50 B 84b [Dvor k, Anton!n] | |
3. | I. Koljas | |
4. | Klepht Song) [Dvor k, Anton!n] | |
5. | II. Nereidy (balada) | |
6. | Nereids (Ballad) [Dvor k, Anton!n] | |
7. | III. Zalozpev Pargy (p!sen hrdinn ) | |
8. | Parga's Lament (Heroic Song) [Dvor k, Anton!n] | |
9. | P!sne na slova Gustava Pflegra-Moravskeho | |
10. | Songs to Words by Gustav Pfleger-Moravsky Op.2 B 123-124 [Dvor k, Anton!n] | |
11. | I. Vy, vrouc! p!sne, pejte | |
12. | Sing Fervent Songs [Dvor k, Anton!n] | |
13. | II. O, byl to kr sny, zlaty sen | |
14. | Oh! What a Perfect Golden Dream [Dvor k, Anton!n] | |
15. | III. Me srdce casto v bolesti | |
16. | Downcast am I [Dvor k, Anton!n] | |
17. | IV. Na hor ch ticho, v udol! ticho | |
18. | Everything's Still in Valley and Mountain [Dvor k, Anton!n] | |
19. | Dve p!sne na lidove texty | |
20. | Two Songs on Folk Poems Op.B 142 [Dvor k, Anton!n] | |
21. | I. Ukolebavka | |
22. | Lullaby [Dvor k, Anton!n] | |
23. | II. Prek zka v poboznosti | |
24. | A Hindrance to Devotion [Dvor k, Anton!n] | |
25. | V n rodn!m tonu | |
26. | In Folk Tone Op.73 B 146 [Dvor k, Anton!n] | |
27. | I. Dobru noc (slovensk ) | |
28. | Good Night (Slovak) [Dvor k, Anton!n] | |
29. | II. Zalo dievca, zalo tr vu (slovensk ) | |
30. | The Mower (Slovak) [Dvor k, Anton!n] | |
31. | III. Ach, nen! tu (cesk ) | |
32. | Maiden's Lament (Czech) [Dvor k, Anton!n] | |
33. | IV. Ej, m m j kona faku (slovensk ) | |
34. | Loved and Lost (Slovak) [Dvor k, Anton!n] | |
35. | Ctyri p!sne | |
36. | Four Songs Op.82 B 157 [Dvor k, Anton!n] | |
37. | I. Kez duch muj s m | |
38. | Leave Me Alone [Dvor k, Anton!n] | |
39. | II. Pri vys!v n! | |
40. | Over Her Embroidery [Dvor k, Anton!n] | |
41. | III. Jaro | |
42. | Spring-tide [Dvor k, Anton!n] | |
43. | IV. U potoka | |
44. | At the Brook [Dvor k, Anton!n] | |
45. | P!sne milostne | |
46. | Love Songs Op.83 B 160 [Dvor k, Anton!n] | |
47. | I. O, nas! l sce nekvete | |
48. | Never Will Love Lead Us to that Glad Goal [Dvor k, Anton!n] | |
49. | II. V tak mnohem srdci mrtvo jest | |
50. | Death Reigns in Many a Human Breast [Dvor k, Anton!n] | |
51. | III. Kol domu se ted pot c!m | |
52. | I Wander Oft Past Yonder House [Dvor k, Anton!n] | |
53. | IV. J v!m, ze v sladke nadeji | |
54. | I Know That on My Love to Thee [Dvor k, Anton!n] | |
55. | V. Nad krajem vevod! lehky sp nek | |
56. | Nature Lies Peaceful in Slumber and Dreaming [Dvor k, Anton!n] | |
57. | VI. Zde v lese u potoka | |
58. | In the Deepest Forest Glade I Stand [Dvor k, Anton!n] | |
59. | VII. V te sladke moci oc! tvych | |
60. | When Thy Sweet Glances on Me Fall [Dvor k, Anton!n] | |
61. | VIII. O, duse drah , jedink | |
62. | Thou Only, Dear One [Dvor k, Anton!n] | |
63. | Ukolebavka | |
64. | Lullaby Op.B 194 [Dvor k, Anton!n] | |
65. | Zpev z Leset!nskeho kov re | |
66. | Song from "The Smith of Leset!n" Op.posth. B 204 [Dvor k, Anton!n] | |
67. | Appendix P!sne na slova Gustava Pflegra-Moravskeho | |
68. | III. Kol domu se ted pot c!m (prvn! verze p!sne c. 3 z P!sn! milostnych) | |
69. | I Wander Oft Past Yonder House (First version of song No. 3 from "Love songs") [Dvor k, Anton!n] | |
70. | IV. O, nas! l sce nekvete (prvn! verze p!sne c. 4 z P!sn! milostnych) | |
71. | Never Will Love Lead Us to that Glad Goal (First version of song No. 3 from"Love songs") [Dvor k, Anton!n] |
In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.
During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.
When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.
