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Händel, Georg Friedrich: Passion nach Barthold Heinrich Brockes HWV 48

score

Setting: Voice, choir and orchestra
Instrumentation: Sg-S-solo,2Sg-A-solo,2Sg-T-solo,2Sg-B-solo,mixed choir-SATB,2Ob,2bassoon,2V,Va,Bc(Vc,Basso,harpsichord)
Period: Baroque
Published: 2021
Publisher: Bärenreiter
Item number: BA11311
Other reference: BA11311
ISMN: 9790006574650
Handel composed his only oratorio in German between 1716 and 1717 basing it on the then popular Passion text by Barthold Heinrich Brockes entitled 'Der für die Sünde der Welt gemarterte und sterbende Jesus' ('The Story of Jesus, Suffering and Dying for the Sins of the World'). Handel's affinity to opera is evident in the musical realisation of the emphatic text as he creates a synthesis between traditional Protestant church music and the depiction of human passion in the manner of opera seria.
This edition is based on the corresponding volume of the 'Halle Handel Edition' (BA 4021). The full score, parts and vocal score have been newly engraved. The piano reduction has been simplified and brought up to today's standards, thus making it much more manageable to play.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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