Biller, Georg Christoph: Botschaften Jesajas
for Mixed Choir and Bass Instrument ad libitum
vocal/choral score
Als zweite der 'Drei Motetten' verweisen die 'Botschaften Jesajas' zunachst auf Johann Sebastian Bachs Motette 'Fürchte dich nicht' BWV 228. Die Motette für vier- bis sechsstimmigen gemischten Chor und Bassinstrument (ad libitum) ist gespickt von musikalischen Zitaten. Sogar Anklange der Nationalhymne der DDR halten Einzug in Georg Christoph Billers Komposition. Schließlich ertönt im Schlussfugato das 'Thema Regium' aus dem 'Musikalischen Opfer' BWV 1079 von Johann Sebastian Bach.
Informationen zu den Audio-Aufnahmen (siehe Multimedia)
Botschaften Jesajas
Leipziger Vocalensemble
Leitung: Georg Christoph Biller
Aufnahme: 10. Februar 2018 in der Thomaskirche Le ipzig
Tonmeister Stefan Antonin / Rondeau Production
In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.
During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.
When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.
