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Seither, Charlotte: Guarda in gi¨

for 12-part Choir

vocal/choral score

Setting: Mixed Voices
Instrumentation: Mixed choir: SSSAAATTTBBB
Grade: 4
Length: 58 pages
Weight: 0.392 kg
Publisher: Bärenreiter
Item number: BA11027
Other reference: BA11027
ISMN: 9790006542673
The title 'Guarda in gui' (Look Down) works on two levels. On the one hand it refers to looking into one's own self and on the other hand to the low base of this composition which is conceived from the bass and is rich in overtones. The seemingly endless pulsating pedal tones and the spatial impact of the piece are supported by the freely-composed non semantic syllables which have a compelling effect. The text lacks a semantic meaning but is rich in abundant colourfulness and an immense force of expression. The intricacy of voices above the bass which combines differentiated vowel sounds as well as noise sounds reflects Charlotte Seither's perception of the voice as the most direct human form of expression.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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