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Haydn, Franz Joseph: Symphony

score

Edited by Friesenhagen, Andreas
Setting: Orchestra
Instrumentation: Fl/2Ob/bassoon/2Hn/2Trp-d/timpani/2V/Va/Vc/double bass
Period: Classic
Weight: 0.267 kg
Published: 2016
Publisher: Bärenreiter
Item number: BA10977
Other reference: BA10977
ISMN: 9790006559886
Like its companions Nos. 90 and 91, Haydn’s Symphony No. 92 in G major was written in 1789. All three symphonies were commissioned in 1788 by Prince Kraft Ernst von Oettingen-Wallerstein, who was to be granted exclusive ownership. However, Haydnfirst sold the works to the Parisian Masonic lodge Société Olympique and was thus unable to fulfil his obligation to send the autograph scores to the prince.The symphony received its nickname ''Oxford'' in the 19th century, probably in connection with a p
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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