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Saint-Saëns, Camille: The Carnival of the Animals

for two Flutes

playing score

Edited by Beck, Sally – Seubel, Jennifer
Setting: Flutes
Instrumentation: 2Fl
Period: Romantic
Grade: 3
Length: 31 pages
Weight: 0.143 kg
Published: 2018
Publisher: Bärenreiter
Item number: BA10926
Other reference: BA10926
ISMN: 9790006564910

Camille Saint-Saëns’ The Carnival of the Animals is one of his most popular works altogether. Yet during his lifetime he refused to publish this orchestral piece for fear it would damage his reputation as a serious-mindedmusician.

Now Jennifer Seubel and Sally Beck, the flautists of ''Duo Noble'', have arranged this famous work for two flutes.

The transformation of the major instruments, timbres and melodies of the orchestral versioninto solely two flute parts posed a special chal

100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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