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Bréval, Jean Baptiste: Sonata

piano score

Op. 40/1
Transcribed by Sassmannshaus, Christoph
Setting: Violoncello and Piano
Instrumentation: Vc-solo/Orch
Series: Bärenreiter's Concert Pieces
Language: English, German
Grade: 3
Duration: 0:00
Weight: 0.103 kg
Publisher: Bärenreiter
Item number: BA10698
Other reference: BA10698
ISMN: 9790006564590

Jean-Baptiste Bréval (1753 1823) was a member of the orchestra at the Paris Opéra and also a prolific composer. His works include concertos for cello, string quartets, comic operas and a violoncello tutor.

However he isbest-known for the Sonata in C major which has become a standard work for teaching purposes, even in arrangements for other instruments. The two movements (Allegro and Rondo Grazioso) can also be performed independently from oneanother. This sonata belongs to the basic re

Contents

1.
Má písen zas mi láskou zní
2.
Mein Lied ertönt, ein Liebespsalm
3.
I chant my lay, a hymn of love [Dvorák, Antonín]
4.
Aj! Kterak trojhranec muj
5.
Ei! Ei, wie mein Triangel
6.
Hark! Hark, how my triangle [Dvorák, Antonín]
7.
A les je tichý kolem kol
8.
Rings ist der Wald so stumm und still
9.
Silent and lone the woods around [Dvorák, Antonín]
10.
Kdyz mne stará matka
11.
Als die alte Mutter
12.
Songs My Mother Taught Me [Dvorak, Antonin]
13.
Struna naladena
14.
Reingestimmt die Saiten
15.
Tune thy strings, oh gypsy! [Dvorák, Antonín]
16.
Siroké rukávy
17.
In dem weiten, breiten
18.
In his wide and ample [Dvorák, Antonín]
19.
Dejte klec jestrábu
20.
Darf des Falken Schwinge
21.
Cloudy heights of Tatra [Dvorák, Antonín]
22.
Rings ist der Wald so stumm und still First Version [Dvorák, Antonín]
23.
Rings ist der Wald so stumm und still Second Version [Dvorák, Antonín]
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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