Rossini, Gioacchino Antonio: Music for Band
He composed sacred music, vocal treatises, cantatas . Then, for many different reasons, he wrote very little music for more than twentyfive years, if we except some songs and the ‚ Stabat Mater' . Only after he left Italy definitively for Paris in 1855 did he find his voice again.
Between 1857 and 1868 a fresh group of masterpieces issued from his pen, the so-called ‚ Péchés de vieillesse ' (Sins of Old Age), including chamber music, songs, and the ‚Petite Messe Solennelle'.
Philip Gossett, General Editor of Works of Gioachino Rossini, is the Robert W. Reneker Distinguished Service Professor at The University of Chicago and a professor ' di chiara fama ' at the University of Rome 'La Sapienza '. He is also general editor of The Works of Giuseppe Verdi.
Barenreiter in cooperation w ith the Center for Italian Opera Studies at The University of Chicago will publish ten volumes in the series Works of Gioachino Rossini, in critical editions, during the period 2007-2011. These are all volumes that were not issued in the ' Edizione critica delle opere di Gioachino Rossini'.
In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.
During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.
When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.
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