Gesualdo, Carlo: Madrigali a cinque voci. Libro secondo (Ferrara 1594)

complete edition

Setting: Vocal
Instrumentation: Canto,Quinto,Alto,Tenore,Basso
Period: Renaissance
Length: 171 pages
Publisher: Bärenreiter
Item number: BA10382-01
Other reference: BA10382-01
ISMN: 9790006557226
In contrast to the two preceding, modern-time editions of Carlo Gesualdo's "Libro Secondo" by Francesco Vatielli (Rome 1956) and Wilhelm Weismann (Hamburg 1962), both of which were based on the "Partitura" (Genoa 1613) by Simone Molinaro, this new critical edition edited by Marco Mangani is based on the first edition which appeared in part-books published by Baldini in Ferrara in 1594. In addition, all further available sources have been taken into consideration and as a result many new readings are being presented.
This new volume also offers a critical edition of the texts set to music and a bibliographical description of the "editio princeps" by Francesco Saggio.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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