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Händel, Georg Friedrich: Aria Album

for Mezzo-Soprano and Contralto

vocal/choral score

Edited by Burrows, Donald
Setting: Vocal
Instrumentation: MezSolo/ASolo/piano
Series: Bärenreiter Urtext
Period: Baroque
Language: English
Weight: 0.432 kg
Publisher: Bärenreiter
Item number: BA10253
Other reference: BA10253
ISMN: 9790006539321
Based on the Barenreiter vocal scores, these three volumes contain some of Handel's best-known arias for mezzo-soprano/contralto, tenor and bass, together with some less well-known numbers of equally high musical quality . The arias in these volumes contain works from Handel's thirty-year period as an opera composer in London and give an impression of the variety of this extensive repertoire. The arias display various distinctive technical features and are mostly presented with the preceding recitative or, in a few cases, in the context of an entire scene. The arias appear in the chronological order of the operas. The forewords by Donald Burrows contain detailed notes on Handel's singers and on the context of the arias of the operas.
- Based on the Urtext vocal scores of the Halle Handel Edition
- Detailed forewords (Eng/Ger) by leading Handel expert Donald Burrows
- Text translations of the Italian arias (Eng/Ger)
Recitatives and arias (for mezzo-soprano/contralto, fema le roles and breeches roles) from: Amadigi, Ariodante, Ezio, Flavio, Giulio Cesare in Egitto, Lotario, Orlando, Radamisto, Rinaldo, Rodelinda, Serse (Xerxes), Tamerlano

100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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