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Martinu, Bohuslav: Impromptu 1

3 Pieces for Violin and Piano

partition de concert

Instrumentation: Violon et piano
Instrumentation: V/piano
Poids: 0.091 kg
Editeur: Bärenreiter
Numéro d’édition: H5906
Cotage de l'editeur: H05906
ISMN: 9790260106604
Impromptu for violin and piano (H. 166, Paris 1927) begins a new creative period in the life of Bohuslav Martinů. It consists of three short character pieces dotted with daring bitonal chords, balancing as a whole on the very edge of tonality. The author pitted the more or less diatonic violin part against the greatly dissonant piano. The piece is the first time Martinů appealed to beginning musicians, to whom he decided to give easier access to modern music. The current edition of Isa Popelka is based on the first edition of the work by Hudební matice Umelecké besedy (Prague, 1934), the Soviet edition (Moscow, 1968), and especially the composer's manuscript housed in Policka.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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